Bill Frisell Trio at Iron Horse
Posted: Sat Jun 23, 2007 9:32 pm
On Wednesday I had a musical experience of Slip-like transendence.
I had the priviledge (no other word will do) of seeing the Bill Frisell Trio (Tony Scherr on double bass and Kenny Wollesen on drums.)
Highlights of the setlist for which I have titles included Dylan's "Masters of War" and "Just Like a Woman", "When You Wish Upon a Star (which was absolutely STUNNING), Lucinda Williams' "Ocean of Love", "Shenendoah", and Brian Wilson's "Surfer Girl."
Highlights for which I have no titles or ability to describe are too numerous to count.
Kenny Wollesen is an intense, focused drummer. Tony Scherr is a guy who pretty much makes hot, sweaty monkey-love to his instrument throughout the set. The three musicians are telepathic, playing a completely improvised set that they are obviously enjoying immensely.
And then there's Frisell. I can't begin to describe how deeply I am affected by his musicianship, graciousness, creativity, and joy in playing. To see a musician who is so completely connected to his fellow players and equally as connected to his tools is mind-blowing.
For Frisell, those tools are his guitar and his pedals - primarily a Digitech PDS 8-second delay and a Line 6 DL4.
To watch Frisell be completely locked in and responsive to what his band mates were doing while at the same time using those two pedals to create looped textures that he would then "save" and introduce minutes later (where they would fit perfectly) was a revelation.
If you care about music and creativity and you have a chance to see this trio, DO IT!!!!
If nothing else, you'll get to see a musician who has been an enormous influence on the Slip. But if you pay attention, you will see oh so much more than that.
I had the priviledge (no other word will do) of seeing the Bill Frisell Trio (Tony Scherr on double bass and Kenny Wollesen on drums.)
Highlights of the setlist for which I have titles included Dylan's "Masters of War" and "Just Like a Woman", "When You Wish Upon a Star (which was absolutely STUNNING), Lucinda Williams' "Ocean of Love", "Shenendoah", and Brian Wilson's "Surfer Girl."
Highlights for which I have no titles or ability to describe are too numerous to count.
Kenny Wollesen is an intense, focused drummer. Tony Scherr is a guy who pretty much makes hot, sweaty monkey-love to his instrument throughout the set. The three musicians are telepathic, playing a completely improvised set that they are obviously enjoying immensely.
And then there's Frisell. I can't begin to describe how deeply I am affected by his musicianship, graciousness, creativity, and joy in playing. To see a musician who is so completely connected to his fellow players and equally as connected to his tools is mind-blowing.
For Frisell, those tools are his guitar and his pedals - primarily a Digitech PDS 8-second delay and a Line 6 DL4.
To watch Frisell be completely locked in and responsive to what his band mates were doing while at the same time using those two pedals to create looped textures that he would then "save" and introduce minutes later (where they would fit perfectly) was a revelation.
If you care about music and creativity and you have a chance to see this trio, DO IT!!!!
If nothing else, you'll get to see a musician who has been an enormous influence on the Slip. But if you pay attention, you will see oh so much more than that.